By Ulrich Adelt
In the Nineteen Sixties, in the greater context of the civil rights stream and the burgeoning counterculture, the blues replaced from black to white in its creation and reception, as audiences turned more and more white. but, whereas this used to be occurring, blackness--especially black masculinity--remained a marker of authenticity. Crossing colour traces and combining the beats of B.B. King, Eric Clapton, and Janis Joplin; the Newport folks pageant and the yank folks Blues competition; and guides equivalent to residing Blues, Ulrich Adelt discusses those advancements, together with the overseas elements of the blues. He highlights the performers and venues that represented altering racial politics and addresses the effect and involvement of audiences and cultural brokers.
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Additional info for Blues Music in the Sixties: A Story in Black and White
Blues Music in the Sixties: A Story in Black and White by Ulrich Adelt